National Museum of the American Coverlet
322 S. Juliana St
Bedford, PA 15522

814-623-1588
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MORE PRINTS BY WINDHAM

The following reproduction prints from Windham Fabrics are specially selected to coordinate with NMAC’s own Coverlet Collection prints. They fill in the color wheel with rich ochres, pinks, reds, greens, blues and tans.

The fabric is 44"/45" wide. Machine wash warm, mild detergent. Delicate cycle, tumble dry low. Remove promptly.
Do not bleach. 100% cotton. Price is $8.95/yard, available in any increment, and/or $2.50 for a "fat quarter".

Click on the thumbnails for larger images.

Nancy's Blues - mid-1800's
by Nancy Gere

These rich indigos, soft creams and milky browns are inspired by textiles from the mid-1800s.

Indigo print designs changed only slightly during the 19th century.  Earlier designs were a little less crisp than their 1860s-70s counterparts, due to changes in the actual printing process. Indigo and white quilts were very popular in straightforward motifs - Wild Goose Chase, Log Cabin - not many fancy curves, and because these blues saturated both sides of the fabric, they were very desirable since the same hue was found on the front and back fabric face.

#28958-2 Tan/Navy   •   #28960-2 Tan/Navy   •   #28961-4 Tan   •   #28964-4 Tan/Brown   •   #28966-5 Tan


Pink Chocolate – c. 1875
by Nancy Gere

Pink Chocolate? ...An odd, but delicious combination!

The origin of chocolate brown used as a predominant color in printed fabric appeared with regularity in the nineteenth century. The color was worn by widows who had passed out of the stage of mourning, when they were expected to wear only black. The patterns used in these "mourning browns" were simple calicos, and not like the more stylized designs featured in this collection.

Later in the century brown as a color in printed fabric started moving to the forefront of European fashion. The idea is perhaps copied from hard-to-find Indian hand painted cottons. In the early to mid 1800's these Indian fabrics using rich colors painted on top of dark grounds were rarely seen in Europe. However, as a result of these beautiful imported fabrics, it is then that we began to see brown combined with the lively colors of red and pink emerging as a trend in Europe.


Williamsburg – Providence
Inspired by the collections of Colonial Williamsburg
The textile that inspired this fabric collection was made in England about 1790. It was imported to America and made into bed hangings with a matching counterpane (quilt), and held pride of place in a New England bed chamber.

The Providence Collection is inspired by a single block-printed, glazed chintz textile in Colonial Williamsburg's collection. Individual elements were extracted from the overall pattern to create an assortment of complementary fabric designs.

#28516-2 Gold  •  #28516- 6 Pink  •  #28519- 2 Gold  •  #28519- 6 Pink


Windham Basics
Windham’s  best "basic" dots and textures for your fabric stash staples, offering perfect "fillers” and never going out of style.

#27685-2 Green Dot  • #27685-3 Blue Dot  • #27685-6 Brown Dot
#27686-2 Green  •  #27687-2 Moss  •  #27687-4 Brown
#27687-7 Blue   •  #27688-4 Brown/Blue Stripe  •  #27690-4 Brown Shirting



Pattern No. 27686-2



Pattern No. 27687-2



Pattern No. 27687-4



Pattern No. 27687-7



Pattern No. 27688-4



Pattern No. 27690-4



Worn & Loved II
by Jeanne Horton

These great prints in delicate olive and moss greens, creams and spicy tans, are selected from Jeanne Horton’s latest line from Windham.

#29520-5 Olive  •  #29523-8 Cream  •  #29525-5 Olive  •  #29526-4 Moss
#29532-9 Tan  •  #29532-10 Spice